The Circles
“The air bears little creatures
over the hillsides. They are very black,
swarthy, dark-coated. Bountiful of song
they journey in groups, cry loudly,
tread the woody headlands, sometimes the town-dwellings
of the sons of men. They name themselves.”
- Riddle 57
Should the poet ponder the head of Jormungand
Or it’s flaying, punctured tail?
Where indeed to find a beginning or an end,
for that which never sparked or ceased?
The philosopher – the mathematician –
all must agree, that when trying and failing
to measure a ring, a sound, a thought, a circle –
they must abandon this first and oldest riddle
and draw a border
right down the orbit’s middle –
to pass hand by hand
on Mongol coin and Persian textile –
the hares which ran the circuit of the Earth
and came to rest on boss, headstone, and tile,
but why – they cry,
is there always three?
Three nails in the palm of Christ
or three distinctions to the trinity?
Perhaps three jewels to rend Samsara
or the three Pure Ones of the Dao?
When pacing the three paths
which lead to Hecate,
they ask,
is this fertility or infinity?
Is it three branches for every tree
or three notes to shape a song,
perhaps three bits to every key,
or three sides to every story?
You ask and entreat and beg
for a tedious, tenuous clarity,
but is it truly a wonder, my friend,
that those three hares –
that shape-shifting mystery –
might sprint a candid chorus
hale but hoary
of sweet Dumnonia
and its eternal glory?
Standing stones. Photograph by James Ravilious © Beaford Arts digitally scanned from a Beaford Archive negative.
Documentary photograph by James Ravilious for the Beaford Archive © Beaford Arts.