Canto XII – Salterne
“Ancient work devised with skill
….. bent under crusts of mud.
A mind grew keen, swift purpose drew,
resolute in rings…”
- The Ruin
There is blood in the sea.
It muddles and oscillates
in an oblong haze, pulling the russet silt
which seeps from a soul riddled by revolution;
an infant Mantel, milk-haired and indignant,
poised upon the bluffs and glimpsed a ghost
of greater safety – seeding future visions
of a pebbled paradise. She left and learnt
to seek delineations in the tempest
of a scribbled sea and sky – that crooked mirror;
that primal light – and tasted dust of dust
upon her tongue. Exhaustive, extracting
every detail – those finite gasps – clasping
a dead man’s soul between needle, nail
and thumb like a sick oracle
gluing antiquity’s debris.
Enriched at last
through that Anglican appetite for roses
and wolves, she returned to Salterne
and teased her steps across
those shingled shores – each pebble squirming
under the heel of a mind which holds
the crystal truth: history is squalid
and trumped and mean
and honesty in the annals is a gift
won through wars of dirty hands
ransacking time
to puppet rotting corpse fingers
and pitch pretty shadows on the wall.
Now the sea looms impoverished
and the gulls wheedle their dirge,
mocking mourning for such a treasured wit –
that fluent pithy cup; a lip and a pen
which demanded the departed
shake their rust,
collect their spittle,
and now and forever
get up.
Documentary photograph by James Ravilious for the Beaford Archive © Beaford Arts.
Holidaymakers on a rocky shore in thick sea mist. Photograph by James Ravilious © Beaford Arts digitally scanned from a Beaford Archive negative.
Documentary photograph by James Ravilious for the Beaford Archive © Beaford Arts.