Canto XI – Sedemuda
“Little did I know
that ever before or after,
I – mouth-less – across the mead-bench would have to speak.”
- Riddle 60
Stabbed and whipped and trailed
up to Golgotha – the little bird
watched with cryptochrome beads –
and came and nestled inside Man’s cavity
and leant its beak inside His heart
and flew away, scorched and smeared,
with a newly garneted breast. Now
the ruddock stalks the gardener’s boot
and hunter’s noose, to snipe
and gobble whatever rears
from the soil’s afterbirth; worms
and beetles and lizards and, if a chill
caulks shut those loamy lips,
then it will stiletto flesh gobbets
like its ruder brethren and angle
by a crystal pool, cutting up
its own kitsch reflection –
anti-narcissus, self-mocking felon –
the robin came to nest on Devon’s gum,
and watched this toothless mouth
gape and murmur and hum;
beat after beat, tale after tale –
those jaws motioned and the hares
trampled heaven and earth
to try and keep up
to no avail.
They did not bolt fast enough
to catch sight of Austen’s beau
and had to consult the robin
for garbled scraps of heartbreak –
served in rain-spattered evenings
and the fresh clutch of tears
at the clergyman’s wake.
Snooping the tearoom for crumbs,
the ruddock witnessed the fast fingers
of gentle Jane stretch and dart and clasp
another – and later pecked snags and snippets
of the wit and irony reserved for a lover –
it is known that that indomitable hand
penning prose and parody, stilled
for many months upon receipt of a letter –
yet the hares never knew
if it was a gospel legend
to entertain in good humour
or merely another
chattered rumour.
The man who invented tomorrow
often climbed Jacob’s ladder
to better watch the honeycomb puddles
where – beneath the beadlets, snakelocks,
shannies, blennies and crabs – he would scry
the probing glint of an otherworldly eye.
Wells alone, thrust a palm into the sea shafts
to wrap his wrist with suckered wires
and drag his homely krakens
into the common man’s mind
and memory, to better bind
and seal that ancient nightmare
with a cheerless ink
of blood and emery.
The robin liked the rutted verse
which clicked and cascaded from his lips –
this tweed-and-tie magus,
mouthing consonants and inventing heritage;
Tolkien cosied himself in Kennaway
and forged his fable out of patchwork sagas
and regaled the bird which nestled on his ledge
with a syllable bouquet –
often he would eye nearby patrons
through the smoke and haze
for a thought or a phrase
to polish his kenning clay –
he looted Plato for his ring
yet hawked the sights of Sidmouth
for the pattern of his king.
The hares clucked and purred
and begged the robin for more –
the story of a riding horseman
or a Stymouth to explore –
but the ruddock fled at break of day
chirring and chuckling –
at the gall of its play.
Farmhouse window ledge. Photograph by James Ravilious © Beaford Arts digitally scanned from a Beaford Archive negative.
Documentary photograph by James Ravilious for the Beaford Archive © Beaford Arts.
Documentary photograph by James Ravilious for the Beaford Archive © Beaford Arts.