Canto X – Barum on the Taw
“Though sad at heart
Across the watery way a weary while must he
Stir with his hands the rime-cold sea,
Tread exile tracks: full pitiless is fate!”
- The Wanderer
They were there to witness the timber lumps
heaped and squabbled into a burh –
and later saw the flash of shears and
traded riches bleed and blur;
from this peopled paean, rose a town
of rosy brick – the inner tower rising
higher and higher –
a perpetually leering,
four-faced-liar.
Unnoticed and forgotten, hiding
amidst the bony bric-a-brac
in their holts and hollows – they did
not expect the man to follow their
brown, bouncing thread –
shellshocked, gassed and disillusioned,
Williamson ceased to understand man
and his works and instead turned to them;
those needle-teethed denizens
of the watered world – slick
and bloody-whiskered wanderers,
whacking their club tails with all the gusto
of Jupiter’s thunder – they were honest,
more so, perhaps, than the world
he had left behind – they did not trick
or faun or placate their prey but sought
and pursued and pincered and
did not waver a single obsidian eye
from the Salmon’s lidded peeping,
but ripped and tore and feasted
and made crop circles out of the bone.
He trailed after their sodden paws
and parted reeds and crouched below
their clapper bridges, sharing
their apprehension of hunting hounds
and baying horns, watching
from afar this people’s strange ruck and reason –
witnessing once, the passing of a mother’s kitten,
knowing that he himself could not condemn
when more than any ideal or whim
he would rather flee his checkered reality
and become one of them.
Barnstaple Bridge. Photograph by James Ravilious © Beaford Arts digitally scanned from a Beaford Archive negative.
Documentary photograph by James Ravilious for the Beaford Archive © Beaford Arts.
Documentary photograph by Roger Deakins for the Beaford Archive © Beaford Arts.