Canto VIII – Toppa’s Village
Oft I had alone at every dawn
My sorrows to lament – none living now is there
To whom my heart I dare
Openly declare.
- The Wanderer
Goat skin, carved, cured and stretched
into a heartbeat – that was the first
fell hammer against the buzzard’s ear
when it guzzled spleen and watched
the arrival of man. It tattooed again
into the setting sun and once more
into the morning until the buzzard
could no longer distinguish between
the footsteps or thuds of brick and grave
and bowl and the bird was shot and skewered
and its tiny porcelain skull rolled over the strawed
floor in the playful palms of a child;
that was when they knew
this was Toppa’s village. Strange sounds,
strange birds and colours and soon the stink
of blood and wine and the buzzards saw
great wooden plumage cutting the
ocean’s jaw and men cowering in
their timber avian bellies. Soot and smoke
calcified into whitewashed catacombs
spilling in avenues and dribbling down
the paved quay and the buzzards nicked
their nicotine-beaks and wondered why
the woman had come to Topsham. Swept up
by a Gale, Tryphena abandoned adolescence,
torched the leazes, and picked Toppa’s pasture
to bury Hardy’s ring and grow the gold
to flower. Buzzards and fishermen
and deserving mouths ate sweetbread
from her fist and lapped the kindness which
spills from heart-cracks and the birds held
assembly with their corvid cousins and
made covenant to never strike the neck
of a worm which reared from Tryphena’s
grave. Hardy blew in with the snow; dark
and occupied – the buzzard resumed
its lapine dissections and did not heed
the hurried note sacrificed on the cross
in memory of a muse or a lover
but when those ink-stained atriums and ventricles
clutched and thundered from his chest
this hunched killer balled its wings
and pelted for the mantle – terrified
that in that empty churchyard
it had once more heard
the sound of drums.
Documentary photograph by Roger Deakins for the Beaford Archive © Beaford Arts.
Graveyard. Photograph by James Ravilious © Beaford Arts digitally scanned from a Beaford Archive negative.