Canto VII – Westward
“His thought is not for harp nor taking of rings –
Nor happiness in wife nor joy in worldly things –
Nor for aught else, save the surging waves;
But ever does he yearn who seeks the sea.”
- The Seafarer
The salmon ran like crusted tapers –
a fleshy armada – massing
on the borders of the oak ensemble
to launch and flame the Torridge
In their efforts to glimpse a brick
of the pale town on the water juncture –
where they furnished seven ships to char
the Spanish and endowed paunchy Brittania
with commerce and colonies and three
snapped necks at Heavitree. A hare’s eye,
cannot distinguish between once, now,
or soon to be, yet dwelled long and often
upon the writ and preaching of Charles Kingsley –
who rears quietly upon the quay, marbled
and balding and grey, whilst nearby,
Rose Salterne drinks and drowns herself
for another day.
To the north, lies a submerged forest;
eight-dozen severed trunks, salt-smoked
into black stubs, now freshly swept into
a shore – here is where Kinglsey first dug
his heels and devised fleets and fame –
a port for the common mariner to seek
foreign riches and domestic acclaim.
He loved this slice of shingle and sand,
and slipped and clattered up the pebbled ridge
with quarrymen in tow, to strain and lift every boulder,
and examine the fauna pocketed below –
no skater nor sea-pie escaped his admiring gaze
and yet an emptied idyll never pays;
Kingsley discarded a friend and lost a muse
when they stacked a village in his name;
we must ask would he still write, if he could know,
that he would carve a new Westward Ho?
Perhaps there would be nowhere for Kipling
to go – and the world would be starved
of the antics and capers of Stalky and co –
fleeing the torment of Lorne Lodge,
Kipling came to drill and conjugate
and mime the imperial motions
upon the ocean’s edge – yet more
important than those stale notions
were the author’s own violent emotions
when upon the sound, he spied a blossom
he could not forget and from that light
spun and wove a literary debt.
There is much to be won and witnessed
when stationed by the sea;
it is here that the hares often forget
their orbit and feign for a moment,
or a century, that they are sprinting
once more wild – once more free.
Documentary photograph by Roger Deakins for the Beaford Archive © Beaford Arts.
Documentary photograph by James Ravilious for the Beaford Archive © Beaford Arts.
Documentary photograph by James Ravilious for the Beaford Archive © Beaford Arts.