Canto IV Literary Map of Exeter & Devon connection: Exmoor; William Wordsworth / Coleridge, R. D. Blackmoore

Canto IV – The Valley

“I am worthy to folk, and found widely,
brought from forests and fortress-hills,
from dales and from downs.”

-        Riddle 27

When rambling through this royal forest

be wary of its king –

red-ruffed and crowned

with lance of livid bone –

he witnessed the first smelting

of iron and bronze and scratched

the first scuff atop Tarr’s stone –

no cairn, nor crypt, nor copper mine

escaped his liquid crystal eye –

no steward, warden, or forester

could soften his primal cry –

the phantom cat

would never tag a hind –

the hares themselves

would never tempt a chase –

or else risk their circles

stamped and crushed into speckled,

sickly space – it is known

and recorded in this valley’s annals

that the star above wilted a frailer yellow

when the sky first emptied

for their thunderclap bellow.

So count your step

over the moor’s crannies and crags

lest you trip

and meet Exmoor’s stags.

To the north of the moor,

lies one of Brutus’ fallen foes,

vast calcium fingers stretching forth,

great stalactite ribs, bleached

and exposed – pecked clean

by the rain, the goats and Father Time;

caught and captured in steel repose.

Wordsworth and Coleridge hiked the vale,

and knew its packed and balanced peaks

contained a kernel of the oldest tale;

they knocked their heads and inked

riff and refrain, to illustrate for the masses,

the eternal wanderings of Cain.

The king of the moor chewed the sedge

and mocked the poets in their pledge –

the piece was never cut or complete –

how could they trace Cain’s retreat?

Whilst still marred and marked,

he held death in defeat

and the fugitive watched them himself,

still wandering, still roving,

still fleeing over and over

that valley’s flinted seat.

Across the mist, the last Victorian came

and marched along the guggling brook –

the stumps and stones of Badgworthy

never knew the man who took

that ancient, storied valley –

once beholden to the river’s tune –

now known for that portended name;

that bloody moniker;

that ‘Doone’.

Between litigation and allotment,

Blackmore had little time for saga

or syllables, but could not empty his mind

of Carvers and weddings and knew;

a romance was not beautiful

simply because it was true.

Though his other works languish

and wallow in the printed ether –

if ever he saw that novel still clasped

and splayed in countless thumbs – perhaps

he would concede a greater motive

and plainer notions

behind mankind’s lesser sights

and giddier motions.

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