Canto III – Oteri Sancte Marie
“A man skilled in song, received the land-rights
That the refuge of warriors erst rendered me.
That passed away; so may this.”
- Deor
The glory of the western sky
and the warm red earth below;
holts and hives and labyrinths
cast in a vaulted glow –
perhaps that is what first drew them
in their hordes and gaggles; mini men
banished from old circles and barrows,
with lumpy rags and spiky eyes,
pecking stardust, burning barrels,
frolicking and chirping and rocking,
pinching colt ears and twiddling manes,
tricking wayward infants into little thanes,
searching for another laugh to replace
their roughshod churlish giggle –
how could they suspect?
That their piskie holes and caves
would buckle under sabatons
when men arrived;
those Cromwells and Fairfaxs
chewing grease and grit and toasting
thick goblets thicker still
with the blood of Gaels and Irish spit.
Fear the peals
that ring circles for a smaller world;
the piskie droves knew their end was near
if Adonai reared belltowers to see and hear,
but dreaded more the youthful bard,
born squealing verse as fat as lard;
those clumsy rhythms pared and grew
into odes and sonnets and rime,
and that was when the piskies knew
man’s tooth and tongue
would rule the rest of time.
Still, they watched him
and sent Arabian spectres
to shake his cot, and later tipped
his opium elbow, brewing poppied fancies
and then chuckling sorrow
when all their efforts to mire
and muddle that lyric man
only birthed his Kubla Khan –
they despaired and fled to their runted parlour
and the poet hastened his preaching
for conversation’s verse –
shilling Kant and Shelling
for a penny pauper’s purse.
If you peer down Oteri’s cobbles
where the piskie song now limps and hobbles –
that ancient noise is bent in thrall
to salute that verse
which blessed us all;
every creature and every craftsman
both great
and small.
Vicarage garden party. Photograph by James Ravilious © Beaford Arts digitally scanned from a Beaford Archive negative.
Cob and thatch cottage. Photograph by James Ravilious © Beaford Arts digitally scanned from a Beaford Archive negative.
Rushleigh Wood. Photograph by James Ravilious © Beaford Arts digitally scanned from a Beaford Archive negative.